2026 臺灣舞蹈平台《跨・鏡—複數身體》
The curatorial concept draws inspiration from the phonetics of the Southern Min word for “to see” — transforming khòaⁿ (看, “to look”) into 跨 (“to cross”), and kìⁿ (見, “to glimpse”) into 鏡 (“mirror”). Bringing together artists from nine countries — Taiwan, Thailand, Singapore, South Korea, Japan, Israel, the United States, Canada, and Germany — the program unfolds through dance and interdisciplinary practices as a series of dialogues: between the body and the other, the real and the virtual, technology and life.
The visual identity seeks to express more than the act of watching dance. It explores how bodies, through artistic exchange across borders and disciplines, can continually transform into new and plural possibilities. Inspired by figure drawing, the visual language reconstructs and fragments bodily forms to capture the shifting states of movement and flow. Rather than offering a fixed definition of the body, the imagery invites viewers into a process of constant transition and transformation — echoing the project’s vision of plural bodies, layered perspectives, and interdisciplinary encounters as a contemporary visual language. The gestural quality of sketching also extends into the logotype design, allowing typography and imagery to share the same fluid sense of motion.
策展主題以閩南語「看見」之聲韻為靈感，將「看」轉為「跨」，將「見」化為「鏡」。活動匯聚臺、泰、星、韓、日、以、美、加、德等 9 國藝術家，透過舞蹈與跨領域創作，展開身體與他人、真實與虛擬、科技與生命之間的多重對話。
視覺設計想表達的不僅是觀看舞蹈，而是身體在藝術家的跨界交流之中，變幻出無限的可能。並以人體速寫為靈感起點，重新繪製、拆解身體結構，表現身體在舞動與流動之間的多重樣態，圖像設計不試圖給出明確的身體定義，而是在不穩定的狀態中，邀請觀眾進入一個不斷轉換的過程——正如「複數身體」想表達的跨領域、多重視角並置，將其呈現為當代的視覺語言。速寫的筆法概念亦由圖像延伸至標準字設計，使文字與畫面達成一致的視覺感。
SERVICECampaigns, Poster, Typography
YEAR2026
CLIENT & PHOTO衛武營國家藝術文化中心 WEIWUYING National Kaohsiung Center for the Arts
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